SYNTH LAB

In Fall of 2024 the DAC was awarded WSU Student Technology Fee funding to create a space full of hardware electronic music instruments in the WSU Libraries Dimensions Lab. We call it the Synth Lab and soon it will be available for any WSU student, staff and faculty to use.

Lets make some more NOISE in the Library!

COMING JANUARY 2026

Why Hardware?

In the early days of electronic music, musicians began experimenting with electronic test equipment, tape machines, and record players. These efforts evolved into purpose-built devices made to generate and control sound. Through the efforts of many, including Don Buchla, Robert Moog and Serge Tcherepnin, analog synthesizers were born. These innovations of 1960s and 1970s had a profound influence on music and lead to what is commonly referred to as electronic music.

Music Hardware = Musical Instrument

Technological advancements have lead to newer digital methods and expanded possibilities. The musical equipment manufacturing industry began producing new electronic instruments including drum machines, sequencers, samplers, digital effects and digital synthesizers. As this new electronic music hardware became economically accessible to those outside the research Institutions and university settings, new forms of music emerged, such as hip hop and EDM. Today, many musical artists use hardware to make interesting and innovative music.

Computers are tools

Computers have become a significant part of our daily existence and means with which we work, communicate, research and play. We also make music on computers, and they have been essential in the development of music and musical innovations.

In the US, just over 50% of households had at least one computer by the year 2000. Since that time, many young people are introduced to the field of electronic music creation on the computer. The computer music industry consists of music creation and playback software: DAWs, software synths, effects plugins, and DJ apps, and even includes hardware such as MIDI controllers and audio interfaces. Despite the seemingly limitless applications of computers, making music on the computer poses serious challenges.

Music made on a computer is mediated by a screen. Using a suite of audio software, often referred to as a DAW or digital audio workstation, requires some understanding of how to create music within the confines of the application. These applications influence how music is made and often what types of music is made.

These features each have their own implications. For example, music making on the computer in a physical way requires one has an understanding how to route and configure a MIDI controller with the software they are using. Similarly, a particular DAW may emphasize loop-based music creation and make it difficult to break out of “the grid”.

Possibly more important however, is the fact that because we use the computer for so many things, we get easily distracted. Rather than record and sequence and mix, we find ourselves checking our social media accounts, responding to messages, watching the next episode, paying a bill, doing homework, editing a photo, or registering for classes.

Immediacy. Limitations. LETS GO!!!

Hardware Instruments offer an immediate entry point into music making. Hardware instruments are devices that serve a specific function limited to music making. There are no distractions. Hardware is physical. You touch the button, feel the click, hear the sound. You pull up a preset, pattern or a patch and can immediately begin to play, experiment, create… make music.

Equipment

The Synth Lab contains a carefully curated set of hardware musical instruments developed and used throughout the last 50 years that have been essential to the history of electronic music, specifically hip hop, EDM and experimental music. The gear is either newly manufactured clones of older gear, or new and improved designs that take sound making to new levels.

The Digital Audio Collective began in 2023. Its members have been primarily interested and engaged in creating electronic music including hip hop, EDM and experimental music. The Synth Lab has been designed to support these interests.

Gear

Moog Muse – 8 voice analog polysynth
Groove Synthesis 3rd Wave – 24 voice wavetable synth
Akai Professional MPC Key 37 – sequencer/sampler workstation
Electron Digitakt II – sequencer/sampler
Behringer RD-8 MKII – drum machine, clone of the Roland TR-808
Behringer RD-9 – drum machine, clone of the Roland TR-909

Future:
Komodo Essense FM MKII – 300 voice FM synth
Behringer TD-3-MO-SR – synthesizer/sequencer, clone of Roland TB-303
& more…